Culture corner

Unaccustomed to signing works for eager buyers and seeing my own creations hanging on a gallery wall, I have been taking a slightly more-than-usual (where ‘usual’ means zero) interest in the issue of intellectual property and copyright. This was prompted by the exhibition; as several viewers noticed, such creations as Rita and Tung and First Ladies, and so many others, contain more than a little material drawn from elsewhere…

The question is: at what point does the plundering of what arty circles call ‘found’ material – an even fancier term is appropriation – cease to be in some way convincing and become naked stealing or even plagiarism?

This doesn’t just apply to graphic art. Musical duo The Books produce collages and compositions using a combination of their own instrumentation (guitar and cello) processed with samples of ‘found sound’ from obscure sources (old Linguaphone discs, newsreels and B movies, for example). Try Enjoy your worries you may never have them again. Try suing them for incorporating a sound you own into it (check what appears to be a female tennis player’s cry brilliantly spliced in at 0.36-37.)

Over in the world of video we have IP vandals and parodists extraordinaire Negativland. The following was “done with help from Disney animator Tim Maloney, who created this using his employer’s equipment after hours … combines the sound of a music industry lawyer with the voice of the Little Mermaid and Negativland’s helium-tinged cover of Black Flag’s Gimme Gimme Gimme.”

Behold: Gimme the Mermaid

 

This seems promising; you can almost fill a work with others’ material provided you mash it up in such a way that you can declare it original, such as ripping off footage of a Disney character and adding a soundtrack of someone threatening to sue you. It’s a grey area, obviously, but ‘fair use’ seems to go a long way.

Then, advertised in Hong Kong newspapers last week, was Richard Prince. Prince is, among other things, the master of rephotography. He takes photographs of other people’s photographs. His most famous series is of the old Marlboro Country cowboys, of which a straight-faced appreciator of art could write:

Prince’s artworks excise all the copy from the original ads, letting us concentrate entirely on how their pictures work. Prince also enlarged the advertising pictures. Some almost fill a wall: That lets us clearly see the dot patterns of the original magazine pages, so we know we’re zooming in on ads, not on the subjects they depict. We’re instantly aware, that is, that Prince’s art is about printed pictures of cowboys, and how those pictures shape and are shaped by the world around us. They’re not about the cowboys themselves.

The nurse pieces, one of which advertised his Hong Kong exhibition, started off as cover artwork of 1950s pulp novels about female medical staff. Prince blew them up and partially painted over them, obscuring background and invariably adding a surgical mask. The art critic for the Center for Nursing Advocacy gave the works three stars. Judge for yourself at the Peddar Building.

Prince’s exploration of legal, if not artistic, limits led to an important finding just a few months ago: how far you have to go before getting sued. He rephotographed pictures of Rastafarians by French photographer Patrick Cariou, tweaked the colouration and added strokes of paint (themselves in the styles of de Kooning and Picasso – did he borrow the acrylic and brushes too?). In some cases, he appended porn photos, but not this one…

Cariou sued; Prince argued that his use of the pictures was transformative, but ended up having to destroy millions of bucks’ worth of his works.

I have carefully made a note of that word ‘millions’ – I mean, ‘transformative’.

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7 Responses to Culture corner

  1. Morgan (Capital M, small organ) says:

    In kindergarten they let you play with cut-up pictures where you interchange one part of picture A with some parts of picture B, and so on. Imagine an elephant with the head of a giraffe f.i. Hours of hilarious fun, it was.

    Did the war interfere with your KG education perhaps ?

  2. Mary Hinge says:

    That Richard Prince is a boy, isn’t he?

    1) Take somebody else’s photograph;
    2) Desaturate or add sepia, and maybe blur it a little;
    3) Add some colour splotches in a random fashion, and maybe overdub an extract from somebody else’s photo;
    4) Sell this 10-minute Photoshoppery job for c.$10 million!

    If only I’d thought of it first.

  3. the appalachianfanclub says:

    I’m no legal eagle, but I think a recent landmark case was the Girl Guide Association of Australia successfully petitioning “Men At Work” over the use of a couple of chords from “Kukkaburra Sits in an Old Gum Tree” in the iconic anthem “Living Down Under”.

  4. Nick says:

    Wow. I’m full of emotion but I don’t know what to say. I live in the content world, which isn’t too much different than the print world in many ways. In the content or written words world, there are fairly strict rules as to “borrowing” other peoples’ works. This practice is limited mostly to public domain, which falls under stringent guidelines of age of works, absence of copyright, and rules of each country of origin. I can’t imagine a writer taking a picture of someone else’s words and then changing or blurring a few words and then not getting sued for plagiarism. Wow.

  5. pcrghlll says:

    I LOVE Negativland – thanks for the tip! The Residents didn’t fade away in vain!

  6. PropertyDeveloper says:

    The question of authors’ rights in an international context is one where more heat than light is usually generated. It’s a bit like marginal speeding, erecting medium-sized canopies and filling in of acres of wetland: some moral opprobrium may be exerted in a tiny minority of cases, but the average penalty is vanishingly small.

  7. Tiu Fu Fong says:

    It wasn’t the girl guides who sued Men at Work, but a copyright rights collector – one of those guys who buys up old copyrights and then sues for infringment/licenses the copyright to make money. Not that dissimilar to bottom feeding guys who patent trademarks featuring common words and threaten to sue anyone who uses them to get licensing fees, except the copyright sharks have a much more substantial legal, and slightly more defensible ethical, case underlying their claim. I think the Girl Guides earlier held the copyright, but sold it at some stage and the guy who did sue got his hands on it that way.

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